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Art and Religion

Art: The Pharisee and the Tax Collector

6 Depictions of the Pharisee
and the Publican or Tax Collector

Jesus’ story is a study in contrast. Each of us can probably relate to the story. We may see ourselves as the tax collector even when our actions mimic the Pharisee.

The Pharisee is sure of himself. He is a good man. He has no reason to question his place within the faith. He has followed the law. He does what is expected of him. And he’s thankful for his lot in life. Doesn’t that describe most happy church people?

But the focus is on the little guy—the guy the better people in society look down on. The tax collector is hated. The tax collector is cozy with society’s enemies. The tax collector makes his living at the expense of good Jewish people.

That describes an awful lot of church people, too! It just takes a story from Jesus now and then to set us straight.

And so artists through the ages have visited this story over and over. Let’s start with the iconic portrayal typical of Eastern or Orthodox Christianity.

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Icons are painted with meditation in mind. There is enough in this depiction to think about. The relationship of both the Pharisee and the Publican to Judaism is prominent. The artist depicts both men as equal for the purposes of mediation. They are of equal size and position.

Contrast this depiction with another work which is similar in detail but which clearly focuses on the tax collector. Don’t you want to put your hand on his shoulder?

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In the next depiction the Pharisee and Publican go head to head. Separate but equal.

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Here is another storytelling approach.

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The next artist won’t let us forget that this is a story. Jesus is present in the background. His audience is there. The foreground is a stage for his story. The poor tax collector! He even needs a cane to walk!

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Last, we show you a modern depiction by artist Bryn Gillette. This contemporary artist painted this rendition in response to a sermon he heard. He tells his story on his website.

The sermon had contrasted the spiritually dead, hypocritical, and self righteous attitude of the pharisee with the persevering faith, obedience, and selfless stewardship of a true disciple of Jesus.

I tried to paint this familiar scene from the more shocking spiritual lens of what was happening within the two figures: the pharisee’s self righteous posture emanating darkness, spiritually dead but covered by a veneer of beautiful color, while the tax collector is contrite in posture, full of life, covered in humble earth tones, and shimmering with God’s anointing. —Bryn Gillette

And so the pharisee is a skeleton and the publican has a halo!

It’s great when the artist is still around to help us understand his work!

Here’s an idea. Paint or draw your response to next week’s sermon!

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Art: The Rich Fool from Luke 12

The Rich Fool is not a favorite topic of serious artists. Many of the depictions are illustrative or blatant cartoons (not that we have anything against cartoons).

Here are two from classical art.

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Rembrandt painted the rich fool surrounded by books. Books in Rembrandt’s day symbolized vanity. They were a sign of wealth as well. The rich fool is happily surrounded by his treasures, totally unaware of the darkness surrounding him. His candle is about to be snuffed out!

Here is an etching by Hans Holbein the Younger who lived in the 16th century and was active during the years of Reformation.

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Death surprises the rich man and sweeps away the riches along with the man’s life.

Our featured artist today is Jim Jannegt. We’ve featured his work before including just a few weeks ago with his Parable of the Good Samaritan. Jannegt is a contemporary artist, working on a series of paintings depicting the parables.

His painting shown below, which looks so very modern, is based on a medieval art style and careful interpretation of the scripture.

Go to this website and enjoy five short videos of Jannegt describing how he created this painting.

Share the link with your congregations (on your web site before Sunday, if you can). His videos will help your congregation understand this Sunday’s lessons.

Here it is again:

http://www.rejesus.co.uk/site/module/jim_janknegts_rich_fool/

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The Prodigal Son in Art

The Story of the Prodigal Son is visually rich. Artists through the ages have loved it.

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Artist Giovanni Barbieri focuses on the three key characters in the story. (early 17th century)

Part of the fascination with the story is the multiple points of view. It is easy to focus on the Father and Son and occasionally the second son.

This artist, Giovanni Barbieri, does this beautifully. We have little to notice except the gestures of the three key figures.

But many artists recognize that there are more players in the story. The Prodigal Son is worn down by many bad relationships. Some artists focus on this broader interpretation as seen in two paintings below by James Tissot (c. 1880).

One concentrates on the Return, the other on the Leaving.

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In this retelling of the story, there is a mother or sister!

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James Tissot tells the story with the involvement of the whole community.


prodigal-son-driven-out-1660.jpg!BlogArtists enjoy taking us to the depths of the son’s despair. Look at this painting which shows the son’s rejection by the society he so longed to own.

And then there is the scene with the hogs. What an image of despair!

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There is plenty of emotion to explore whether it is in the selfish leaving, the desperate squandering, or the pathetic, yet joyful return.

Look below at the treatment by Rembrandt. Focus on the story told just in the depiction of the son’s feet.

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It is easy to re-interpret the story through contemporary eyes. Each depiction above shows the culture and times of the artist. This painting by an African artist is no different.

Finally, a simple line drawing can be as moving as a full-color mural.

How would you draw or sculpt the Parable of the Prodigal Son?

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