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faith

Adult Object Lesson: John 20:19-31

sticky points

Today’s object is something sticky. A jar of glue or honey would work. It might have a prominent label.

Ask members of your congregation what they think you are holding. Go around, offer people a touch of what is sticky and gooey.

Ask them what they need in order to believe that what they are seeing is the real thing. Odds are that no one will want to touch the gooey stuff. But just in case—have some wipes ready. You never know what another person’s sticky point in believing might be!

Today’s Gospel lesson is the story that branded Thomas as “the Doubter” — the disciple who not only had to see Christ to believe in the Resurrection but boasted that he also had to touch his wounds. He had to know that it was really Jesus and not some impostor. The wounds were proof.

Retell the story. Hit the high points.

The disciples were now in the habit of meeting behind locked doors. Their lives were at stake.

Jesus appears. No knock on the door. No secret password for entry. He simply appears.

It is surely one of his first appearances. He will make others, but the two gatherings discussed in today’s Gospel are still “news.”

Thomas wasn’t there for the first gathering, but he heard about it—it was the hottest gossip in town.

Think about gossip for a minute. Some people who hear juicy gossip merge it with their own story, leading the next hearers to believe that the news is firsthand.

Thomas didn’t do this. Thomas wanted proof.

He lays it on the line. To be so memorable it must have been with some degree of machismo.

“Unless I see the mark of the nails in his hands, and put my finger in the mark of the nails and my hand in his side, I will not believe.”

The next time the disciples are together—with Thomas among them—and Jesus appears, all eyes turn to Thomas.

Jesus is there to bring peace and fuel the disciples with the Spirit.

But he is God and all-knowing. He knows the gossip, too. He turns to Thomas and offers his wounds to him.

Here is the interesting thing that almost all artists get wrong. The story of Thomas is depicted inaccurately so often that we tend to overlook an important part of this story. 

763px-Hendrick_ter_Brugghen_-_The_Incredulity_of_Saint_Thomas_-_WGA22166Artist after artist shows Thomas poking a finger or two into Jesus’ still open wounds. It’s almost as if we can’t believe this story if we don’t see Thomas following through on his pledge. (Here is one work by Hendrick ter Brugghen).

But reread the story from the gospel. Thomas doesn’t poke his fingers into Jesus’ wounds. Thomas immediately confesses his creed, “My Lord and my God.” Thomas never follows through on his boastful pledge. Seeing was believing.

If your congregation uses projection, use 2×2’s weekly slide presentation to be published by Thursday as evidence.

You might close by giving poor Thomas his due. Sure, Thomas doubted, but from his doubt grew an incredible faith. Thomas is credited with carrying the message of Christ to India and establishing the first Christian church there. Some Indian families today proudly trace their Christian heritage to his ministry. (And with this you can tie in two verses from today’s psalm — Psalm 16: 5-6. 

The Lord is my chosen portion and my cup; you hold my lot. The boundary lines have fallen for me in pleasant places; I have a goodly heritage.

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Art in Religion: The Parable of the Mustard Seed

A Topic for the Artist in Each of Us

What a fun topic for all artists of all ages! First there is no need to draw people. Most art on this topic is totally conceptual. A mustard seed is a dot. Who can’t draw a tree?

Most artists who turn to this topic build on the image of the tree. They populate the branches of the tree with doves or birds, often a symbol of qualities such as friendship, camaraderie, peace, purity and happiness in folk art. Earliest depictions use doves, a symbol of God from the Bible. Later artists built on this as you’ll soon see.

As you can see, the telling of this story can be very simple and stylistic.

Earlier artists tend to be more realistic and didactic in their portrayals. The artistic traditions of the Middle Ages, moving into the Renaissance and Enlightenment still had peasant viewers in mind. The reason for the art was to tell the story to people who did not read. Here’s one of the older depictions, drawn by Jan Luyken, a Dutch artist who lived in the 17th century.

mustard1Other depictions are stylistic. One is by an artist from Kazakhstan. Christian art from Kazakhstan!

I don’t know the source of the second depiction. It draws attention to the power of faith, which the seed symbolizes in Jesus’ parable.

The third was designed as a logo. Simply beautiful.

mustard-seed-by-kazakhstan-artistmustard2MustardSeed_LOGO300pxWe’ll close with one of our favorite contemporary artists, James B. Janknegt from Texas. His painting is entitled World’s Smallest Seed. He builds on the aviary symbols of good fortune (quite a collection of fowl, at that) and builds a small city around the base of the tree—including directions to a seed store. Might that be a church?

mustardseed3Have your people draw their version of the tree and the mustard seed parable. What part of the story would they emphasize—the seed of faith, the source of the faith, the tree or the fruit of the tree?

Adult Object Lesson: Luke 7:1-10

kaleidoscopeJesus Is Surprised

Today’s object is a kaleidoscope.

A kaleidoscope is an ordinary looking object. A tube-often cardboard-with a whole on one end. When we look into that whole for the first time we don’t know what to expect. We see a spectacular mosaic of bright colors.

But that’s not all. Each time we turn or shake the kaleidoscope we see something new. The geometry and colors change. Each time is a surprise.

In today’s Gospel lesson, Jesus is surprised. He is approached by Jewish leaders who come to make a request on behalf of a centurion who is concerned that a favorite slave is ill. The centurion is not Jewish. He is a foreigner, a representative of an occupying army. He is a man with power that he could use to get Jesus’ attention. But he doesn’t. He doesn’t even come to Jesus himself. He sends people to speak on his behalf—almost as if he fears Jesus would reject him for not being Jewish.

We don’t know what Jesus expected from this encounter. We only know that he was surprised. Jesus, the Son of God, is taken aback.

The centurion asked for help in the most humble way. “Please, don’t go out of your way. Just heal my slave. You can do it.”

Jesus is not the only surprised person. Turn the kaleidoscope and see the surprise on the faces of the Jewish leaders when Jesus praises the centurion. Turn the kaleidoscope again and see the bewilderment of the followers as Jesus makes an example of the centurion’s faith. Make another turn and see the disciples who just don’t know what to think!

We need to turn the kaleidoscope as we view our own neighborhoods.

  • What surprises might await us if we would occasionally refresh our view of our own congregations, our friends, and our acquaintances?
  • Who are we missing when we look for more people like us as we build our faith communities?
  • How might we be strengthened by learning from the centurions in our midst — the good people who respect us even though they do not worship with us — the people we think we know? But do we?

Ask your congregation, “Who are the centurions in our neighborhoods?” Listen to their answers.

Close with Psalm 96:1-9. O sing to the Lord a new song, all the earth. 

photo credit: Lucy Nieto via photopin cc